Romance Dawn
Hadassa,20 ,Brazil.





Léa Seydoux in Petit tailleur by Louis Garrel

And yet both had this hidden impulse, this incalculable force—this thing they cared for and didn’t talk about—oh, what was it?

Virginia Woolf, from Night And Day (via violentwavesofemotion)



Jane Birkin in  Les Chemins de Katmandou (1969),dir.André Cayatte


Kurt Vonnegut, Slaughterhouse-Five

Show Preview | Saks Galleries: American Art Invitational Joseph Lorusso, Bound, oil, 14 x 14. – Southwest Art Magazine em We Heart It.

It’s still you.
It’s still you.

Margaret Atwood, from Shapechangers In Winter   (via barebonedandcrazyy)


Don’t leave me hanging, it’s National High Five Day

"Her and Lost In Translation are connected to each other. They’re very much on the same wavelength. They explore a lot of the same ideas. This all makes sense since Spike Jonze and Sofia Coppola were married from 1999 to 2003 and had been together for many years before that. Sofia Coppola had already made her big personal statement in regards to love and marriage right when the couple was on the verge of divorce; Her would be Spike Jonze’s answer to those feelings. What makes it even more poignant is that Her never feels resentful or petty. It feels more like a legitimate apology. It’s an acknowledgement that, in the end, some people aren’t meant to be with each other in the long run. Some people do grow apart. Lost in Translation is about a couple on the verge of growing apart, Her is about finally letting go of the person you’ve grown apart with and moving on.”


it’s a metaphor